In 2019, Counterpoint worked with sound artist Tytti Arola on The Robot Choir – comprising ten speakers that »sing« based on learned input from various human voices – which premiered at the Helsinki Festival. Similarly, together with electronic musician Yuri Suzuki of the design studio Pentagram, they created an installation called »The Welcome Chorus:« 12 horns emitted AI-generated melodies and lyrics to visitors of Turner Contemporary, who in turn could speak or sing into the instruments, adding to the software's constantly growing dataset. This followed the duo's endeavor with Suzuki to continue the legacy of the Electronium, the electronic synthesiser and algorithmic composition machine developed by Raymond Scott. The piece was part of the Barbican Centre's exhibit AI: More Than Human.

In 2020, Counterpoint contributed to »Hypha,« an installation using generative typography based on the science of mushroom growth, created for the exhibition Mushrooms: The Art, Design and Future of Fungi at the Somerset House in London. In its corresponding online version, 3D artists can upload their own polygon meshes, let them flourish and download the results.

Outside of the art world, Counterpoint created a font-generation tool for Yacht, which the L.A. pop act used in the artwork and videos for their album Chain Tripping on DFA Records. The duo also developed GANharp, an experimental music-making app, and worked on Roland 808303 Studio, a digital instrument based on the company's classic drum machine and bass synth.