Balancing improvisation with a structured approach, her studio creations prove that simplicity and detail are by no means mutually exclusive, and that the coexistence of serenity and intensity can create catharsis.

Having entered the world of production through a fascination with computer music, De Pascalis also cites the electronic scene of 1960s Rome as a major influence – particularly Gruppo di Improvvisazione Nuova Consonanza and Franco Battiato – while The Wire compared her subtly mesmerising live set to »Terry Riley and all things komische.« Following her self-released debut in 2014 and releases on The Tapeworm, the Italian Berliner moved to Morphine Records for the release of Sonus Ruinae in September 2020.