Her solo works employ analogue synthesis and a tape-loop system, which she uses to create patterns of repetition that shape a sense of a dense, dynamic, and cathartic distance. Her sound touches a wide range of electronic music genres, such as ambient, Berlin school, psychedelic, and tape music.

De Pascalis has produced three solo albums: the self-released Quitratue (2014), Anzar (2016) which is released by the Touch-affiliated imprint The Tapeworm, and Sonus Ruinae, released September 2020 by experimental Berlin label Morphine Records. She has performed in festivals and venues such as Museo Reina Sofia, Biennale di Venezia, Berghain, Funkhaus, Café Oto, and MUTEK.