Her experimental approach and free visual improvisation with time-based media form a basis that continues to accompany her to this day at A/V concerts and installations, incorporating light, sound, and interaction. Particular interest is in intangibles such as the sense of time, processes of creation and erosion, the transformation of errors into content, blurring, and perception phenomena that only arise in the moment or with physical presence, such as noise, stroboscopes, or in a loop. Collaborative work with artists in the fields of music, programming, and visual art are important to her and form a decisive basis for developing multi-layered design forms.