
His own music has morphed several times throughout the last ten years, from purely synthetic timbres and polyphonic singing with Pleśni to a perplexing fusion of rhythmically and sonically jagged compositions and bass-heavy club tracks. Just check his latest releases, the Doolska and Gusła (Human Rites) EPs.
When not presenting his music at festivals such as Unsound, Tauron Nowa Muzyka, Audioriver, Spring Break, CoCArt, and more, he composes and creates impromptu live music for interactive theatre plays, including a quadraphonic sound piece for »Jawić się.« In the club, his 13-year experience of supporting queer, anti-fascist, and underground scene results in an eclectic selection of the most forward-thinking sound offered by today’s scenes. In his series of DJ-sets and club nights, he blends unusual rhythmic patterns kicked up a notch with his improvised vocals.
Gusła (Human Rites), by Avtomat
Gusła (Human Rites), by Avtomat
